mrclam said:
furie said:
Blaze, it's simple. If the past changes the future, then the future can not change the past, so the past can't change the future any more. If things don't happen like they're supposed to due to the interference of T2, then T1 cannot happen, and therefore T2 cannot happen and there fore (thank God!) T3 and TS cannot happen.
How comes you're an expert on how time travel would work in real life?
Because I'm ace!
mrclam said:
I still go with the "you cant change the past" theory, and everyone in the first 2 movies was lying about the date of the war and stuff.
With time travel (I've explained this already), you have two outcomes.
1. Paradox
2. Inevitability.
1. When telling a story, you must avoid paradox as it makes no logical sense. It's an infinite loop and shows a lack of fore-thought and poor scripting/story telling technique.
2. Inevitability comes in three flavours.
a) The future has already affected the past. This is the T1 premise. Malky makes a time machine and sends me back to meet his grandmother. I sleep with her and become Malky's grandfather. That's fine, as I have always been his Grandfather and the circle works out logically.
b) The future works to right itself to stop paradox. This is essentially what they're trying to do with the Terminator story to explain the paradox of the T2 ending. No matter what you do in the past to try and alter the future, the future will always happen to allow for the avoidance of paradox. Malky makes a time machine and sends me back to meet his Grandmother. I kill her, so Malky is never born. The time line repairs itself without Malky, and instead, another person creates a time machine for me to use. If I kill
their Grandmother, the time line will create another person to send me back. On and on.
c) The future is set in stone. No matter what you do to the past, the future is unaltered. Malky sends me back in time, I kill his Grandmother. Time doesn't care and Malky still exists to send me back anyway. I cannot change my own past. This is the poorest way of avoiding paradox, as you are just shoving paradox under the carpet and ignoring it.
As a piece of storytelling, You need to avoid Paradox and "The future is set in stone" - unless you're making them the major part and parcel of the plot and being very clever (let's face it, the Terminator series does not fit this bill).
"The future will right itself" is a minefield and the world's biggest and most blatant deus ex machina. It's a cop out of great magnitude.
"The future has already affected the past" is neat and well rounded. It means that you play with your story and have fun without worrying as long as you tie up the neat ends. That's why the original Terminator is the strongest in plot and story terms out of all the films. It works.
So, in conclusion, from the ending of T2 onwards - the Terminator story is poor quality, cop out tosh and should be treated as such
I hope that's explained it all?
Anyway -
No country for old men - I can't decide about this film. After Benjamin Button, it was like eating ice cream. I think from now on, time will be measured against Benjamin Button and how much of it I want back in my life.
I thought the film making was excellent, and it was subtle, witty and tense. It was also meandering and didn't really have a typical "plot conclusion". It was two and a bit hours of relatively typical kind of story (with a slightly different bent) that suddenly ends and wraps up harshly. I know that this untold bit is part of the design of the film, but I didn't like the way it lulled you into thinking it was going to be a normal story - then ditches you with cleverness at the end.
Problem is, I need to watch it again to decide how good it really actually was, but I don't want to as it's too long and hard work :lol: