Will said:I'll wait for Furie to come along, do this topic justice and generally be very smug about having seen them live,
I can do smug
The first ever single I bought (singles, remember those?) was "Another Brick in the Wall (Part 2)" in 1979. I loved the song (more than I loved Atomic by Blondie) and saved up and bought it instead of Greedo.
That was pretty much it with me and Pink Floyd until I got to uni in 1992. I bought my first ever CD player and wanted some CDs, but not stuff I already had on tape (remember those?). So I headed to Our Price (remember them?) and picked up three CDs - one of them was the limited edition, 20th anniversary Dark Side of the Moon. I remembered my love for ABITW and I recognised this as their seminal album.
It was love at first listen. The first half is a fantastic, mildly psychedelic rolling soundscape; the second half is a trio of emotiotive, insightful and brilliantly composed songs. It's all punctuated in the middle by the rather out of place "Money" (out of place on Dark Side of the Moon, it's good song on its own).
I then immersed myself in Pink Floyd and consumed as much as I possibly could. I developed a girlfriend at roughly the same time, who quickly realised that me exquisite taste in the light red prog rock band was perfect. So we used to spend a lot of time listening to newly bought CDs together.
She tended to like the earlier, quirkier Syd Barrett stuff, but I always found it a little too distracting and much preferred the melodic David Gilmore side of things. The Roger Waters heavy stuff was always a kind of "yeah, it's okay I guess". She adored The Wall though, and it's an album that calls to you if you're in a particular frame of mind. It's a heavy trip through madness and incline loneliness with some of the most fantastic lyrics and guitar pieces ever.
However, as I've grown up, I've found The Wall to be more and more pretentious, though Roger Waters constant hammering of the album has fuelled this a little. It's a case of "just get over it AND yourself!". I find Momentary Lapse and Division Bell a little bland and "Cliff Richard", but there's still some very complex music happening. However, The Final Cut is just 45 minutes of whinge and moan. I like the music (well, it's the left overs from The Wall let's face it), but not the subject. It's an album that is definitely a case of "can bad lyrics ruin a song? YES!" An entire song complaining about Maggie Thatcher? It's relevant how now?
The problem is that Roger Waters is a conceited **** .
However, I adore 'Dark Side of the Moon'. Love 'Wish You Here'. Have a lot of time for 'Meddle'. Thoroughly enjoy waking up to 'Atom Heart Mother'. Can't go more than a year without a drunken 'The Wall' session and really don't mind the rest at all.
The biggest issue is that they're albums you have to listen to. It's not, "I'll put on some Pink Floyd for ten minutes", you just can't do it (well you can, but don't blame me if you don't enjoy it ). The albums are a continuous flow and to get the most from the they have to be listened to from start to end in one go (which is another reason Money ruins DSOTM). So I tend not to listen to them too much any more as I just don't have those long periods of time to just listen to music.
The Division Bell tour (Pulse?) in 1994 was the best gig I've ever been to (and I can't see it ever being topped). I was probably sat next to Dave Morton... Nah, he was in the Royal box
They're one of the few bands that the entire family_furie agree on being superb (the other being Depeche Mode and that's about it) - though for Madame_Furie and Minor_furie they had parents pointing them in the direction - I at least found them on my own