That is so stupid. It's not like it just simulates the London Underground and nothing more. Clearly there is more to it, and I think there's something to be said for things that can take an ordinary experience and make something interesting out of it. Granted, I haven't been on DBGT, but I know enough about it to know that it takes the regular experience of the London Underground and makes it into something scary or surreal. That's literally like saying "I live in a house, so why would I want to go to a haunted house on my day off when I live in a house every day anyway?"
The problem here is that when I say literally anything I assume that those reading it understand that nothing is black and white.
To elaborate on why mundane places make terrible themes... They're mundane.
Now that we've got that out of the way, let's explain why DBGT having "more to it" than a simple simulation of the London Underground is irrelevant within the context of this discussion, which is "Europa park's themed facades are mundane to its predominantly European audience and this is bad."
DBGT's exterior and queue doesn't have "more to it". It is mundane. And that's what guests see from the outside, that's what sets the mood, that's what conveys what the rest of the experience is about. And that's really important... Ya know how the Little Mermaid ride at the Magic Kingdom and California Adventure is received completely differently because the latter has no exterior theming? So fewer people queue for it, but more people think it's pretty good than the Orlando counterpart, where the queue is always long but people get off disappointed. Europa Park has pretty, well executed and most importantly well designed, but ultimately bland exterior environments. Maybe this helps people think Europa's assortment of just-ok rides are better than they are, who knows.
And, the other thing about DBGT having "more to it" is that narratively, it's not taking a regular experience and turning it into something scary. You're not at any point expected to believe you're boarding a normal train, they actually try to convey the opposite, then the experience takes place on a normal train.
The mundane environment only exists because it is cheaper to represent. It's why they love these warehouse themes, it's why there are shipping containers everywhere, it's why nothing is exotic. And this would be fine if it was hidden well amongst good environmental storytelling and an understand that truly unpleasant environments (like Smiler's or Saw's queue) are never, ever a good thing to expose people to for extended periods.
I, personally... In my opinion, think bland environments are
never as good as exotic ones when compared like for like. It's why I prefer IOA to Studios. It's why Phantasialand is so appealing. It's why you walk past the USA in Epcot's World Showcase and your brain literally goes "this is the default, what is it meant to be?" or why bland American accents feel normal in film and you notice any divergent from them. That's not to say bland environments are never appropriate - they absolutely have a place, especially as entry port worlds and the like, but they MUST have something that makes them hyperreal. That makes them more impressive, more ornate, more scary, more fun, more dramatic, more colourful, whatever. than the real world ever is. My memory of Europa, and most of the photos I see of the place is of too clean, too pristine but ultimately too bland architecture that might as well have been real. That doesn't mean ALL of Europa is like that, just that a lot of it is. Because it is. Ben's comment about how every land is set in a past time period doesn't truly cut it imo, because the result is still a world that looks so much like Europe does in real life, today... Just cleaner. I'm kinda dying to get back to Europa, because it'll have been 10 years by the time I return and I need to put my criticisms to the test. The reality is that Europa Park is a very, very, very high-quality park and that's why it gets "overrated". This is a park that operates exceptionally, spends a lot of money making it's environments beautiful and keeping them that way, but I don't care for the thematic choices
and believe there are objectively better choices. Here's a photo I took in 2008 of a building that, were it at Busch Williamsburg, I'd clap my hands at. But at a German theme park I wonder what the point of it is.
And for the record, haunted houses wouldn't work if they looked like my house.
Ya know, Europa is a bit like this painting by Pedros Campos. It's ****ing amazing but, other than a display of skill in mimicry, what's the point of it? It's like a photo, but it's a little too perfect and it offers nothing the photograph he worked from couldn't.