Slash said:
Maybe it was the lack of props but I just can't put my finger on it.
But that's the point. It goes to show you don't need all the effects or lavish sets to put on a good show.
Well, I suppose I could do a few of mine.
I'll start with
Spring Awakening.
Well, I saw this back in Jan 2009, at the Lyric Hammersmith, the first Matinee is England=].
Anyway, ever since I first heard of the show, back in 2006, I bought the soundtrack and loved it. I had to wait a nearly three years for it to come to London. Naturally I bought tickets the moment they went on sale. £10 each, stalls.
So, with my tickets bought, I had to wait a further 5 months before it opened. In November, my friend who was in college with me in 2008, said she had been auditioning for it and had won the role of Thea, this made it more exciting for me to see it.
On to the show. Amazing. I loved the Brechtian style staging, minimal props, the two adult male and females playing loads of characters each, it was amazing.
The songs are very catchy and have good lyrical quality. Luckily, we had the original musical director standing in that day and it made the atmosphere electric.
I'd have to give it a 9.9/10.
Shame it closed, but it god excellent reviews, just not enough people buying tickets.